We may have encountered the term “embodied cognition” in recent research showing the surprising interrelations of our minds and brains with our bodies—but here’s a twist.
How might the tuxedo and formal apparel of a violinist in a symphony orchestra detract from their freedom of movement, active expression, and basic physical comfort?
Although creating an experience of ethereal beauty, performing classical music can be sweaty work. In the words of one concert violinist after playing Berlioz’s epically passionate Symphonie Fantastique: “We were sweating through our undershirts, through our tuxedo shirts. My bow tie was completely soaked.”
Must this be in the 21st century?
By evening a concert violinist, by day an entrepreneurial Dallas businessman, Kevin Yu after his morning run found himself wondering why couldn’t formal concert garb be more like athletic wear?
That was the start of an idea whose time had surely come. Yu soon began prototyping new forms of tuxedo shirts made of fabric that was accommodating, moisture-wicking, and flexible just like his running gear. Although he tried to keep his prototypes under wraps—word soon spread and orders and requests poured in.
As Yu’s friend a Dallas Symphony Orchestra co-concertmaster mused: “You kind of wonder why it didn’t exist in the marketplace to begin with . . . A lot of us just took it for granted: that that’s the way it had to be because that’s the way it always was.”
What else in our worlds might be just like this. . . .
—> For more background and the quotations cited above see:
Michael Cooper, Taking the starch out of concert attire, The New York Times, August 18, 2015.
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