Most of us have encountered the notion of “functional fixedness” – our tendency to yoke a particular use or function on to objects. For example, we might assume that a spoon is for scooping or a chair is for sitting, but less readily recognize that a spoon might serve as a lever or a chair might act as a doorstop.
So what’s a robot for?
Cirque du Soleil, partnering with ETH Zurich’s Flying Machine Arena, sought to creatively call upon precision aerial robots as collaborative dance performers. They experimented with sundry semblances and scenarios but discovered that the quadrocopters truly came into their own as…. lampshades. The lampshades each can sport multicolor designs and textures, tassels and various appendages, and convincingly assume idiosyncratic roles and personalities.
In the words of the actor Nicolas Leresche, who fluidly interplayed with the flying machines:
“Actors think they are the ones who make objects move. I think that, on the contrary, it’s the objects that make us move. In the case of drones, even more so! They are companions (in an etymological sense), confrères, brothers.”